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There are so many keyboards and digital pianos on the market today. How does one make a selection? Here are a few tips to help you choose one that meets your needs.

1. How much can you afford?

With such a wealth of keyboards available, a working person shouldn’t have a problem finding one that fits their budget. Low priced keyboards are all over. But this doesn’t mean that you should settle for anything. As the old adage goes, you usually get what you pay for. Usually the more money you invest, the greater the returns.

2. Do you need weighted action or synth action?

Weighted action means that the keyboard comes with heavy (weighted) keys and feels like an acoustic piano. You need some muscle to play such keyboards. If you’re a trained pianist or you want to develop your piano skills a weighted keyboard would be better suited.

Synth action would mean lighter keys. You can usually play faster and easier with a synth action keyboard. Are you gonna be playing synthy and techno stuff? Then synth action is what you need.

3. How many keys do you need?

You have a choice between 88, 76, 61, 49, 37, 25 keys, and even less. Your choice should be based on your needs and circumstances. For instance, players doing stuff that requires a small range, like samples, only need a few keys. 76 keys are usually best for quality synth action. But if you’re into stuff like sound development you can’t afford to work with anything short of 88 keys.

4. Do you need an onboard sequencer?

You need to avoid duplication. If you’re already sequencing on your computer you don’t want to pay for a keyboard that comes with a sequencer. You may never use it. An onboard sequencer is more important when you’re working without a computer.

5. Consider whether you need a workstation.

Workstations perform so many functions. These include everything from sequencing, to sampling, to effects, and mixing. Again you should avoid duplication. If you’re already doing all that on your computer, you probably don’t need to pay extra for a workstation. Don’t buy features that you already have. But a workstation is an incredible and necessary tool when a computer is not in the mix.

6. Importance of velocity and aftertouch features.

Ensure that your keyboard comes with velocity and aftertouch features. Velocity refers to how the sound responds to the amount of pressure applied to the keys (how quickly keys are pushed down). While aftertouch deals with the control data that is generated by pressing down the keys after they have reached and are resting on the keybed.

7. Will you be gigging or not?

If you’ll be carrying your keyboard from gig to gig, durability should be an important consideration. What material is used? A hard case should come in handy for protection. The weight of your keyboard is also part of the picture; unless you don’t mind the hassles of carrying a heavy keyboard or digital piano from one gig to another.

You should be able to find a keyboard easily online. You can order one that suits your needs today. Some of the best music keyboard and digital piano prices can be found on the Internet. You even get free shipping to your door.

Mantius Cazaubon offers a guide to help you choose a music keyboard that meets your needs on his site, http://www.yamaha-keyboard-guide.com. Visit Yamaha Keyboard Guide for Yamaha and other music keyboard reviews.

The origin of hip-hop can be traced back as far as the ancient tribes in Africa. Rap has been compared with the chants, drumbeats and foot-stomping African tribes performed before wars, the births of babies, and the deaths of kings and elders. Historians have reached further back than the accepted origins of hip-hop. It was born as we know it today in the Bronx, cradled and nurtured by the youth in the low-income areas of New York City.

Fast-forward from the tribes of Africa to the ghettos of Kingston, Jamaica in the late sixties. The impoverished of Kingston gathered together in groups to form DJ conglomerates. They spun roots and culture records and communicated with the audience over the music. At the time, the DJs comments werent as important as the quality of the sound system and its ability to get the crowd moving. Kool Herc grew up in this community before he moved to the Bronx.

During the late sixties, reggae wasnt popular with New Yorkers. As a DJ, Kool Herc spun rhythm and blues records to please his party crowd. But, he had to add his personal touch. During the breaks, Herc began to speak to his audience as he had learned to do in Jamaica. He called out, the audience responded, and then he pumped the volume back up on the record. This call and response technique was nothing new to this community whod been reared in Baptist and Methodist churches where call and response was a technique used by the speakers to get the congregation involved. Historians compare it to the call and response performed by Jazz musicians and was very much a part of the culture of Jazz music during the renaissance in Harlem.

Hercs DJ style caught on. His partys grew in popularity. He began to buy multiple copies of the same albums. When he performed his duties as a DJ, he extended the breaks by using multiple copies of the same records. He chatted, as it is called in dance hall, with his audience for longer and longer periods.

Others copied Hercs style. Soon a friendly battle ensued between New York DJs. They all learned the technique of using break beats. Herc stepped up the game by giving shout-outs to people who were in attendance at the parties and coming up with his signature call and response. Other DJs responded by rhyming with their words when they spoke to the audience. More and more DJs used two and four line rhymes and anecdotes to get their audiences involved and hyped at these parties.

One day, Herc passed the microphone over to two of his friends. He took care of the turn table and allowed his buddies to keep the crowd hyped with chants, rhymes and anecdotes while he extended the breaks of different songs indefinitely. This was the birth of rap as we know it.

Hip-hop has evolved from the days of the basement showdowns to big business in the music industry. In the seventies and eighties, the pioneers and innovators of the rap record was the DJ. He was the guy who used his turntable to create fresh sounds with old records. Then, he became the guy who mixed these familiar breaks with synthesizers to produce completely new beats. Not much has changed in that aspect of hip-hop. The guy who creates the beat is still the heart of the track. Now, we call him the producer. Even though some DJs work as producers as well as DJs (quite a few start out as DJs before they become producers), todays title DJ doesnt carry the same connotative meaning it did in the eighties. Todays hip-hop producer performs the same tasks as the eightys DJ.

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In this piano lesson you will learn to play Mary Had A Little Lamb without the use of sheet music. We will be a little bit professional and use both hands!

As you probably know Mary Had A Little Lamb is a popular nursery rhyme. Here is the first verse:

Mary had a little lamb
little lamb, little lamb
Mary had a little lamb
its fleece was white as snow

In When testing his invention of the phonograph in 1877 Thomas Edison used this poem and it became the first audio recording to be successfully made and played back.

We will not use sheet music in this piano lesson. Instead we will use a form of piano tablature or shorter piano tab.

Tablature is a form of musical notation, often with numbers and letters, which tells the player where to place his fingers on a particular instrument rather than which pitches to play.

First you’ll have to locate the note C on the piano. On a piano C is the first white key that is to the left of two black keys.

The C we are interested in most is the C on the middle of the piano. This C is called middle C because on the piano keyboard it is right in the middle, near the keyhole.

In our piano tab we will give this C note a number: 1

The white key to the right of C we call 2 and so on. Let’s play some notes:

1 2 3 4 5 6 7

When you have played these seven notes you will come to the next C on the piano.

Let’s try to play a bit of Mary Had A Little Lamb:

Mary had a little lamb

3 2 1 2 3 3 3

You can use the index finger on your right hand to play this melody or be a little bit more professional and use your thumb for all number 1, your index finger for number 2 and your middle finger for number 3.

Let’s continue this piano lesson with the next line:

little lamb, little lamb

2 2 2 3 5 5

Use the little finger for number 5 if you want. The next part is the same as the first piano tab:

Mary had a little lamb

3 2 1 2 3 3 3

Now we are about to finish this song:

its fleece was white as snow

3 2 2 3 2 1

How can you use your left hand? Well, you can make this piece a little bit more difficult and also more rewarding to play by using your left hand for bass notes.

The notes from C to the next C is called an octave. You also have these notes to the left of the middle C. We can call these notes the left octave.

If you use the notes 1-7 in the left octave to play bass notes with your left hand we can notate this in the following way:

3/1 2 1 2 3/1 3 3

3/1 means that as you play the first 3 you also play number 1 in the left octave with your left hand at the same time.

The rest of Mary Had A Little Lamb with bass notes included looks like this:

2/5 2 2 3/1 5 5

3/1 2 1 2 3/1 3 3

3 2/5 2 3 2 1/1

I suggest that you play you left hand 1 with your little finger and number 5 with your thumb. This is the whole song and your piano lesson is over!

The best way to practice is probably to take one line at a time and learn it by heart. When you know the song by heart you can play it anytime and anywhere!

Peter Edvinsson is a musician, composer and music teacher. Visit his site Capotasto Music and download your free sheet music and learn to play piano resources at http://www.capotastomusic.com

Purchasing a classical guitar can be a difficult task particularly if you are not yet an accomplished player. Here are some tips and hints on finding a good quality classical guitar whether it is in the hundred dollar range or the thousand dollar range.

If you are have ever gone into a well stocked guitar shop you have no doubt been confused by the selection of guitars. There are literally hundreds of shapes, sizes brands and types of guitars. And the price can range from a hundred dollars to several thousand. .If you are a beginner, judging the sound quality can be difficult to do because your ear is not yet highly trained. Here are some tips to help you make a good choice.

When in a guitar shop and looking at the guitars you should always ask a sales person to help you. This way you can take guitars down and play them. If you cannot play very well you should ask the sales clerk to play for you so you can get a feel for the sound of the different guitars. If the sales clerk doesnt play you should ask if there is someone working in the shop that does play. As a last resort you should even ask other customers in the store. Not listening to the different guitars is like shopping for a car but never test driving any of them. Guitars have very different feels and tones and you should listen to a lot of them to get a sense of what you like. Dont be bashful in this respect. Guitarists are usually a very gregarious bunch and a guitarist will almost always jump at the chance to play for someone else. If you dont yet play well and you cant find somebody to play for you I recommend you not purchase a guitar. You should come back another time when someone is available to play or you can bring a friend who knows how to play.

Check the size and shape of the guitar

Classical Guitars, of course, come in different sizes and shapes and you should sit with a wide variety of them to get a feeling for what is comfortable to you. Your body shape has an effect on this. If you are over six feet tall the smaller guitars might not be comfortable for you and the fret board may be uncomfortable for your hands. So even if you cant play music you should always hold and sit with the guitars to get a sense of how the different ones feel.

Check the mechanics and playability of the guitar

Here are several things you should do when considering the purchase of a classical guitar.

1. Play every note on every string all the way up and down. Listen for frets that dont play properly. They will give a rattling sound and if this occurs on any fret at all you should put the guitar aside and try another one. This is a sign of inferior quality. Every string should play cleanly on every single fret.

2. Check the action of the strings against the frets in terms of how much pressure is needed to play notes and chords. You should play bar chords all the way down the frets to insure good pressure. If it is too hard to press the strings in order to make a clear chord this could be a sign of an inferior guitar.

3. Play harmonics on the strings. This is an excellent test of the quality of the guitar. Playing harmonics is the technique of plucking the note with your right hand and only lightly touching the string with your left hand. Test the harmonics of all the strings on the 5th, 7th, 12th and 19th frets. If you do not know how to play harmonic notes ask the sales clerk to help you.

4. Examine and test the tuning pegs. Do they look clean and sharp? Wind and unwind them while watching and feeling for smooth turning motion.

5. Visually examine the whole guitar. Look it over very carefully from front to back and top to bottom. Are there any small cracks? Are the frets firmly installed into the fret board? Are there any cracks or glue exposed around the bridge?

6. Tap on the front of the guitar (The sound board) in a variety of different spots. Does it have a rich echoing sound or are there spots where it sounds dead and limp? The internal structure of the classical guitar is very important for the sound and important for the longevity of it. Dull thud sounds could be an indicator of an inferior instrument.

7. Examine the details. Look at the purfling around the edge. This is the decorated pattern that goes around the full body where the soundboard or face meets the sides of the guitar. Is it accurately laid in? If this has variations and inconsistencies it is a good sign that the guitar is of inferior quality.

8. Dont hesitate to take a good look inside the guitar sound hole. You will see wooden braces in there. Do they look straight, accurate and well placed? If you see sloppy globs of dried glue around these braces it could be an indicator of inferior craftsmanship.

9. Remember that there are three distinct areas you must consider when purchasing a classical guitar: The Look, The Feel, and the Sound. If you keep all three of these things in mind and carefully examine the guitar in relation to these you will be able to choose an instrument that will bring you a lifetime of trouble free playing enjoyment.

A Classical Guitar is a purchase that can give you a lifetime of enjoyment and you should consider the purchase carefully. Even if you dont plan on playing every day you should buy an instrument that is of good quality so it will maintain its sound quality for a lifetime. And to do this you dont need to spend thousands of dollars you just need to know how to identify a well made guitar.

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I have always had a big problem with my addiction to music. I tend to hear I song I like, then rush out to the local record store to buy the CD, without consideration for whether or not I would actually like the rest of the songs on the set. After years of this habit, I have amassed a huge CD collection, but I have been left with many one-hit-wonder discs that I no longer listen to and just gather dust while taking up space in my small apartment (anyone else fall for the infectiousness of Chumbawumba?s ?Tubthumping? back in the ?90s only to find the rest of the CD less than appealing?). I know I am not the only one with this infliction I like to call ? Itchy Trigger Finger Music Purchasing,? and we all could use some help in weeding out the now-undesirables to make room for hopefully wiser purchases in the future.

I have an established this routine for tidying my overflowing CD collection:

?Scan through your CD collection with this golden rule in mind ? ?If you haven?t listen to it two years, pull it out.? Make a pile of these discs that have not had a recent relationship with your stereo.

?Scan through this pile of CDs and remove the ones you know you like, regardless of lack of play over the last two years (everyone has favorites, but they cannot possibly be listened to on a regular basis when you are constantly buying new music). Put these back in your collection for future blast-from-the-past urges.

?Take the pile you have remaining and sort them in chronological order. The older CDs are the ones most likely to have been ignored over the years, and thus prime candidates for elimination.

?Read through the track listings of these discs to see if you recognize more than one song by sight. If necessary, slip them into your stereo to refresh your memory. If you are familiar with three or more songs on the set, then you probably enjoyed that CD at one point, and you can use your discretion as to whether or not you want to keep it in your collection, or part ways with it since you haven?t listen to it in quite some time. Those discs with only one recognizable song need to go!

Now you should have a pile of discarded CDs and you are wondering what to do with them. Use them as coasters? Use them as Frisbees? Have a CD-burning partying (I?m talking about the pyromania version of burning, not the process of transferring to a blank CD). These options are fine and dandy, but I?d like to suggest a couple of other options. You could invite some friends over so they can take a gander at what you no longer want. What?s old and tired to you may be just the thing your pals have been searching for (not everyone can be blessed with good taste in music). The other option is to find folks to trade with online. There are plenty of audiophiles trading at SwapThing. There are many categories at SwapThing, so you don?t necessarily have to swap your music for more music; you can exchange your CDs for virtually anything that someone else is offering. Good luck and get cleaning!

SwapThing.com is a site focused on building a strong swap community online. The ShareThing program helps non-profits get access to item & cash donations as well as volunteers and professional services.

This article comes with reprint rights. You are free to reprint and distribute it as you like. All that we ask is that you do not make any changes, that this resource text is included, and that the link above is intact.

The origin of hip-hop can be traced back as far as the ancient tribes in Africa. Rap has been compared with the chants, drumbeats and foot-stomping African tribes performed before wars, the births of babies, and the deaths of kings and elders. Historians have reached further back than the accepted origins of hip-hop. It was born as we know it today in the Bronx, cradled and nurtured by the youth in the low-income areas of New York City.

Fast-forward from the tribes of Africa to the ghettos of Kingston, Jamaica in the late sixties. The impoverished of Kingston gathered together in groups to form DJ conglomerates. They spun roots and culture records and communicated with the audience over the music. At the time, the DJs comments werent as important as the quality of the sound system and its ability to get the crowd moving. Kool Herc grew up in this community before he moved to the Bronx.

During the late sixties, reggae wasnt popular with New Yorkers. As a DJ, Kool Herc spun rhythm and blues records to please his party crowd. But, he had to add his personal touch. During the breaks, Herc began to speak to his audience as he had learned to do in Jamaica. He called out, the audience responded, and then he pumped the volume back up on the record. This call and response technique was nothing new to this community whod been reared in Baptist and Methodist churches where call and response was a technique used by the speakers to get the congregation involved. Historians compare it to the call and response performed by Jazz musicians and was very much a part of the culture of Jazz music during the renaissance in Harlem.

Hercs DJ style caught on. His partys grew in popularity. He began to buy multiple copies of the same albums. When he performed his duties as a DJ, he extended the breaks by using multiple copies of the same records. He chatted, as it is called in dance hall, with his audience for longer and longer periods.

Others copied Hercs style. Soon a friendly battle ensued between New York DJs. They all learned the technique of using break beats. Herc stepped up the game by giving shout-outs to people who were in attendance at the parties and coming up with his signature call and response. Other DJs responded by rhyming with their words when they spoke to the audience. More and more DJs used two and four line rhymes and anecdotes to get their audiences involved and hyped at these parties.

One day, Herc passed the microphone over to two of his friends. He took care of the turn table and allowed his buddies to keep the crowd hyped with chants, rhymes and anecdotes while he extended the breaks of different songs indefinitely. This was the birth of rap as we know it.

Hip-hop has evolved from the days of the basement showdowns to big business in the music industry. In the seventies and eighties, the pioneers and innovators of the rap record was the DJ. He was the guy who used his turntable to create fresh sounds with old records. Then, he became the guy who mixed these familiar breaks with synthesizers to produce completely new beats. Not much has changed in that aspect of hip-hop. The guy who creates the beat is still the heart of the track. Now, we call him the producer. Even though some DJs work as producers as well as DJs (quite a few start out as DJs before they become producers), todays title DJ doesnt carry the same connotative meaning it did in the eighties. Todays hip-hop producer performs the same tasks as the eightys DJ.

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As I receive emails from many different musicians on my radio station, I tend to get about 35%-45% that do not know, or do not have their music in a digital format. This is a major problem!

You might think having a CD and sending it out to the stations is the best way, but it really isn’t. First off your wasting waaay to much money for postage, the CD, and any other costs involved in that process. If you have your music on your computer, you have many advantages. Not only can you send your music faster, but you also keep it in great condition. Meaning a computer file will not get damaged or scratched, however your CD you can lose, scratch, or damage.

Now having CDs is a good thing to sell to people, or give them as promotional material, but you should also have them in digital format. The way to do this is to RIP the CD onto your computer. There are many different programs to use to do this, the easiest one for everyone to use is Windows Media Player.

This will probably be already installed onto your computer if you have Windows, which I figure 85%-90% of you do. If you don’t have it download it. Its free so don’t worry about it.

Once you have installed it, you want to insert your CD, and then go to the RIP tab, which will show your CDs information. Now it won’t have your information, so change it right there before you RIP the CD. All you need to do is click once and it should go into EDIT Mode. The text will be highlighted and you just change the information.

TIP: Go to Tools, Options, and Rip Music tab. You should rip your music to at least 128kps bitrate (lower quality) or what I recommend is 320kps bitrate. The higher the bitrate the better the quality, so you might as well go to 320kps and use MP3 format, however burning WMA files wouldn’t hurt as well.

After putting the correct information in you will click RIP MUSIC button, at the upper right hand corner, below the Music Tab. It will take about 10-20 minutes depending on how many tracks and what quality you want to RIP at.

TIP: Go to Tools, Options, and Rip Music tab. Above the bitrate and audio file format, you’ll see RIP Music Folder. This is where once the CD Ripping is complete will go, so make note so you can find your music.

That is pretty much it! Just rename your music files to Artists Name – Song title.(mp3, wma, or wav), doing so will result in a better and more professional looking song file!

Hope this helps many unsigned musicians, if you need more information or help please reply in this thread. And I will try to help you.

Nick Willever Currently Runs An Entire Unsigned Music Network Main Site – http://www.supportingunsignedmusic.com Community Site – http://www.unsignedmusicforum.com

Rating: 4 stars/ hip hop classic

Release Date is introduced by soft instrumentals and human voices in the background. The atmosphere is loaded with intense emotions. Balalaika sounds and keyboards will intensify the fire Xzibit puts into his songs. With his dark voice, Xzibit points out how long hes been patiently waiting for this day and how much hypocrisy he had to face from people. Xzibit has paid his debts and is ready to punch you right in the face with some offensive lyrics.

Symphony In X Major is a beautiful piece of work. Enjoy the contrast between the classical music background mixed up with a good hip hop style. Enter Xzibits universe; watch him taking over against his enemies. The video that goes with this song is really worth a look. It transports you into an interesting gangsta thriller. No contest hip hop lovers will probably enjoy it very much.

Break Yourself is based on harsh instrumentals. Xzibit conquers his audience in no time with his incredible flow and his incisive lyrics. The gifted artist strangles you lyrically and leaves you no chance of survival.

Heart Of A Man drives you into the heart of Xzibits struggle. Again, the song leads you in a lyrical world that Xzibit masters with an incredible verbal dexterity. Enjoy his self confidence and the energy that the West Coast artist puts into his song.

Harder featuring The Golden State P is built on a very rhythmic background. Good instrumentals and the spirit of a conquistador determined to take over make this track very much enjoyable.

Choke Spank Me Pull My Hair is a track aimed at groupies who are keen on getting tortured. A little pinch of humor, irony and some good instrumentals will make the listener enjoy this mnage trois atmosphere.

Lose Your Mind featuring Snoop Dogg is written in the same offensive style. Like a true soldier Xzibit shows his arsenal. Be ready to get (lyrically) gunned down. Face it: you cant fuck with Xzibit.

Violins and scary vocals introduce BK To LA featuring MOP. Let the lyrical master guide you into his world. Combined with Mops talent, the track is beautifully handled by both OG. If you like raw lyrics, raw instrumentals and an offensive spirit, you will probably like this track.

The song on Xzibits album you should definitely not miss is track Nr 11 My Name featuring Eminem. Organs and keyboards introduce the entertaining and rhythmic melody. Eminem and Xzibit are determined to punch their hip hop rivals right in the face. Better not fuck with both emcees unless you wanna get ripped off.

The Gambler featuring Anthony Hamil has a beautiful soul background. Enjoy the way Xzibit and Anthony Hamil combine blues and hip hop. Trumpets intensify the struggle of both men. I recommend this beautiful track to black music lovers. It is lyrically and instrumentally rich.

Missing U is an emotional track aimed at the mom Xzibit lost very early. Dont miss Right On and Enemies. Both tracks are instrumental jewels.

Globally Xzibits album is a beautiful piece of work that Id qualify as a hip hop classic. The album will draw the fight of an artist against the machine (the music industry). Xzibit is amazing hip hop artist who keeps it real. I recommend this album to anybody who loves good hip hop lyrics and sounds.

Copyright2006 by Isabelle Esling All Rights Reserved

My name is Isabelle Esling. I am an Eminem biographer and a freelance music journalist. I teach English and German at public schools

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So, the guitarist in your life already has a guitar (or a few guitars) that they are happy with. You want to get them something special, but can not think of anything. They really seem to have everything they need already. Well, why not give them guitar lessons for a Christmas gift?

Great for Any Level

Guitar lessons are a great gift for the guitar player in your life because you can take them no matter which level you are at. There is so much to learn about the instrument, there will always be room for improvement. You purchase lessons for to help them graduate to the next level or to help them learn a new genre. For example, if the guitarist already knows rock guitar, they may want to learn jazz guitar. Or, they can take rock guitar lessons that will help get them to the next level of playing.

Finding a Teacher

There are a few places you can look to find a teacher. If there is a college in your area with a music program, there may be a guitar student who is looking for extra cash. The rates the students charge are usually less expensive. Check on the bulletin boards or in the college newspaper. If you cant find anything, consider posting your own sign stating that you are looking for a guitar teacher.

You can also check local music stores, the classifieds, and the boards at local clubs. You may want to ask around, too. Sometimes it is best to talk to people to get their recommendations and critiques of particular teachers. You also may want to ask the person who will receive your gift if they know of anyone. Maybe they want to take lessons with a particular person but cant afford it.

In general, you will want to find a teacher who will fit the needs of the guitarist. Do not just go with the least expensive teacher. They may not have the skills to teach certain players.

Pay up Front

Instead of giving the guitar player in your life cash to go towards the lessons, you can contact the teacher and pay for the lessons up front, or have them give you a gift certificate. The problem with giving cash is that they may find other reasons to spend it and forget about the lessons.

Guitar Lessons as a Gift

Guitar lessons make a great gift. They help encourage and give feedback that the guitarist is making progress. This is also a good gift to accompany a guitar pack or starter kit.

Bill McRea is the publisher of Guitar Warehouse the best place to Buy Guitar and learn Guitar Playing Techniques. Visit our site for over 60 Free Guitar Lessons and Information about playing Guitar.

Purchasing a classical guitar can be a difficult task particularly if you are not yet an accomplished player. Here are some tips and hints on finding a good quality classical guitar whether it is in the hundred dollar range or the thousand dollar range.

If you are have ever gone into a well stocked guitar shop you have no doubt been confused by the selection of guitars. There are literally hundreds of shapes, sizes brands and types of guitars. And the price can range from a hundred dollars to several thousand. .If you are a beginner, judging the sound quality can be difficult to do because your ear is not yet highly trained. Here are some tips to help you make a good choice.

When in a guitar shop and looking at the guitars you should always ask a sales person to help you. This way you can take guitars down and play them. If you cannot play very well you should ask the sales clerk to play for you so you can get a feel for the sound of the different guitars. If the sales clerk doesnt play you should ask if there is someone working in the shop that does play. As a last resort you should even ask other customers in the store. Not listening to the different guitars is like shopping for a car but never test driving any of them. Guitars have very different feels and tones and you should listen to a lot of them to get a sense of what you like. Dont be bashful in this respect. Guitarists are usually a very gregarious bunch and a guitarist will almost always jump at the chance to play for someone else. If you dont yet play well and you cant find somebody to play for you I recommend you not purchase a guitar. You should come back another time when someone is available to play or you can bring a friend who knows how to play.

Check the size and shape of the guitar

Classical Guitars, of course, come in different sizes and shapes and you should sit with a wide variety of them to get a feeling for what is comfortable to you. Your body shape has an effect on this. If you are over six feet tall the smaller guitars might not be comfortable for you and the fret board may be uncomfortable for your hands. So even if you cant play music you should always hold and sit with the guitars to get a sense of how the different ones feel.

Check the mechanics and playability of the guitar

Here are several things you should do when considering the purchase of a classical guitar.

1. Play every note on every string all the way up and down. Listen for frets that dont play properly. They will give a rattling sound and if this occurs on any fret at all you should put the guitar aside and try another one. This is a sign of inferior quality. Every string should play cleanly on every single fret.

2. Check the action of the strings against the frets in terms of how much pressure is needed to play notes and chords. You should play bar chords all the way down the frets to insure good pressure. If it is too hard to press the strings in order to make a clear chord this could be a sign of an inferior guitar.

3. Play harmonics on the strings. This is an excellent test of the quality of the guitar. Playing harmonics is the technique of plucking the note with your right hand and only lightly touching the string with your left hand. Test the harmonics of all the strings on the 5th, 7th, 12th and 19th frets. If you do not know how to play harmonic notes ask the sales clerk to help you.

4. Examine and test the tuning pegs. Do they look clean and sharp? Wind and unwind them while watching and feeling for smooth turning motion.

5. Visually examine the whole guitar. Look it over very carefully from front to back and top to bottom. Are there any small cracks? Are the frets firmly installed into the fret board? Are there any cracks or glue exposed around the bridge?

6. Tap on the front of the guitar (The sound board) in a variety of different spots. Does it have a rich echoing sound or are there spots where it sounds dead and limp? The internal structure of the classical guitar is very important for the sound and important for the longevity of it. Dull thud sounds could be an indicator of an inferior instrument.

7. Examine the details. Look at the purfling around the edge. This is the decorated pattern that goes around the full body where the soundboard or face meets the sides of the guitar. Is it accurately laid in? If this has variations and inconsistencies it is a good sign that the guitar is of inferior quality.

8. Dont hesitate to take a good look inside the guitar sound hole. You will see wooden braces in there. Do they look straight, accurate and well placed? If you see sloppy globs of dried glue around these braces it could be an indicator of inferior craftsmanship.

9. Remember that there are three distinct areas you must consider when purchasing a classical guitar: The Look, The Feel, and the Sound. If you keep all three of these things in mind and carefully examine the guitar in relation to these you will be able to choose an instrument that will bring you a lifetime of trouble free playing enjoyment.

A Classical Guitar is a purchase that can give you a lifetime of enjoyment and you should consider the purchase carefully. Even if you dont plan on playing every day you should buy an instrument that is of good quality so it will maintain its sound quality for a lifetime. And to do this you dont need to spend thousands of dollars you just need to know how to identify a well made guitar.

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