Alternate picking is used in many styles of guitar. It’s most often used when you want to play at an extremely fast rate. Instead of just getting one note every time you move your picking hand down, you get two. It can easily double your playing speed, if you can do it well.

How to alternate pick

To actually do the basics with alternate picking is not hard. Pick down away from you on any one string, then pick up back towards you. That’s pretty much it. Make sure you don’t move your hand too far – if you can keep the pick close to the string, it can increase your speed. I personally find it easier to keep the pick under control by resting my hand against the guitar, underneath the string(s) I’m playing. Try to keep the pick flat when it strikes against the string, not angled. This makes it easier to move across the string in both directions.

Exercises to try

Here are a few exercises you can use to perfect your alternate picking technique. The first one is the most basic. This is good to do as a warmup.

e ——————————————————————5–6–7–8–

B —————————————————–5–6–7–8—————

G —————————————-5–6–7–8—————————-

D —————————5–6–7–8—————————————–

A ————–5–6–7–8——————————————————

E -5–6–7–8——————————————————————-

Start with a downstroke on the first note, then alternate each note up and down. If you have a metronome, use it to make sure you’re playing at a constant rate. This is crucial to get a clean sound – make sure you play evenly.

This next exercise is very good to perfect your synchronization between right and left hand. It may sound familiar to you.

e -5–0–7–0–8–0–5–0–7–0–8–0–10–0–7–0–8–0–10–0–12–0–

B ——————————————————————————–

G ——————————————————————————–

D ——————————————————————————–

A ——————————————————————————–

E ——————————————————————————–

e -8–0–10–0–12–0–13–0–10–0–12–0–8–0–10–0–7–0–8–0–5-

B ——————————————————————————–

G ——————————————————————————–

D ——————————————————————————–

A ——————————————————————————–

E ——————————————————————————–

e -0–7–0–16–0–17–0–12–0–13–0–10–0–12–0–8–0–10–0–7–0

B ——————————————————————————–

G ——————————————————————————–

D ——————————————————————————–

A ——————————————————————————–

E ——————————————————————————–

e -12–0–8–0–10–0–7–0–8–0–5–0–7–0——————————

B ——————————————————-6—-5——————

G ——————————————————————————–

D ——————————————————————————–

A ——————————————————————————–

E ——————————————————————————–

The trick to this one is to memorize it, then practice it. Start slowly, then gradually speed up. Make sure your notes all stay clean! It’s easy to crank up your speed, but if you don’t keep your alternate picking clean, it’s not worthwhile. Clean chops are much, much better than fast sloppy ones.

From here the next step is to alternate pick across multiple strings. The best way to do this is to pick one of your favorite scales – NOT a minor or major pentatonic, though. The pentatonics are not good because with these you don’t have to adjust picking direction on each string, since you only have two notes on each string. You want a scale where you have to pick in different directions when you change strings. This will help you adjust to keep your alternate picking moving across strings.

The Sweep Technique

If you’re going to cross strings often, you may want to learn the sweep technique. The sweep technique is used anytime you’re playing the last note on one string with a downstroke and you want to change to a higher string, or playing a note with an upstroke and changing to a lower string. Instead of alternate picking, you keep your hand moving in the same motion. So if you play a note on the B string with a downstroke, if you’re playing the next note on the high E, play it with another downstroke. This takes a lot of practice, but it can help improve your speed.

Crank up the speed!

Once you get your alternate picking down cleanly, you’ll notice your chops improve immensely. Just keep practicing with it, and you’ll keep getting faster. Remember to keep it clean, keep a constant tempo, and you’ll become a guitar master in no time!

Alan Marquez is a guitarist with over 10 years of experience. He plays on a weekly basis and has taught guitar for over five years. See his reviews on online guitar lesson packages at http://LearnGuitar.ReviewsOfStuff.com/

The secret to that great sound that the Strats have is in the single coil pickups, the wood of the guitar and the way the body of the guitar is put together (2 sections). The combination of these 3 things put together is one of a kind, that guitarist have come to love right from the beginning of the Strats birth.

Although Strats are centered around a standard setup. There are lots of additional models that slightly differ and in-turn slightly change the sound of the guitar. This is great because it offers guitarists the chance to find that desirable sound that they have always wanted. To go one step further a lot of big name guitarist that play Strats get fender to make them a custom model just for them on specifications that they want so they can come up with the ultimate and perfect sound for them. These guitars are also available to the public to buy and are deemed signature models. If you desire a sound from one of these top quality guitarist than you can have it by buying a signature model which emulates the exact sound that artist has.

If you are thinking of buying a Strat I highly recommend to you that you go and try out as many different models that you can. Most people buy the standard USA Strat but this may not be for you, you may want something slightly different with a few different changes to the standard. Another thing I wish to point out is that when you try out a Strat, it is important play it through a quality amp, i.e. a fender twin amp. This is because if you try out guitars (great ones and poor ones) though a cheap and poor amp than the guitar will sound bad and disgusting. The rule when buying a guitar or any musical instrument is to try out many different types of that instrument as possible, this is the only way to properly find out what guitar suits you best.

Jakob Culver is a professional working musician and founder of the website http://www.musiciansequipment.com.

To find out more information on this topic visit our information page.

?2005 Millennium Online Marteting Pty Ltd

Gibson makes a lot of guitars, but probably none are as popular as the Gibson Les Paul. The Les Paul is probably one of the most widely used guitars in rock music. The guitar first made its presence in 1952 and is still going strong over 50 years later. The Les Paul is a solid body electric guitar that comes in many models including the Les Paul Classic, Les Paul Supreme, Les Paul Standard, Les Paul Studio Baritone, Les Paul Studio, Les Paul Goddess, Les Paul Gt, Les Paul Menace, Les Paul New Century, Les Paul Vixen, Les Paul Special (with Humbucker pickups), Les Paul Doublecuts and Les Paul Melody Maker. Each one of these guitars has its own distinct sound.

But Gibson is more than just Les Paul guitars, even though they are the most popular models and used by more musicians than any other model. Gibson also makes the Americana, which is a fairly new guitar series. This includes the Pioneer Cutaway and the Ranger. These are 6 string acoustic guitars that have a very beautiful tone.

Getting back to electric guitars and to another old favorite, Gibson also makes the Firebird series which includes the Firebird Studio, Firebird V and Firebird VII. This series started way back in 1963 and took electric guitars in a whole new direction with its look and sound. This guitar is still very popular today with people who are looking for something a little different from the classic Les Paul sound.

Even two years before the Firebird was the SG series by Angus Young. This was actually a modification of the Les Paul with a thinner body and pointed horns. Originally part of the Les Paul series, it eventually got its own name. The SG series includes the SG 61 reissue, which is actually an exact replica of the original guitar, the SG Goddess, SG GT, SG Menace, SG Standard, SG Supreme and SG Special.

Gibson also makes other models of electric guitars but in addition to guitars, Gibson also makes electric bases which include the Continental V Bass, Les Paul Double Cut Bass, Les Paul Standard Base and Les Paul Thunderbird Bass which includes the four and five string models.

Sadly, there are some models of guitars that Gibson decided to discontinue for 2006. These include the Blues Hawk, Chet Atkins SST and Chet Atkins CE and CEC. These will be missed as they were excellent guitars, even if they didn’t sell as well as expected.

Gibson guitars have been a staple of the guitar industry for over 50 years. They are certain to remain at the top of the guitar world for at least another 50 years.

Michael Russell Your Independent guide to Guitars

I suggest that you right now start to take command over your guitar. Usually when you are playing your first guitar sheet music melodies you will have to learn the notes in the first position on the guitar. To have a good grasp of these notes on the guitar I suggest that you learn them slowly and with concentration.

I usually begin by teaching the notes on the first string like E on open string, F on fret 1 and G on fret 3. On string two you?ll find B on open string, C on fret 1 and D on fret 3. With these notes you can play the song Mary Had A Little Lamb.

Using the previous notes the melody can be played as follows:

E D C D E E E D D D E G G E D C D E E E E D D E D C

I hope you recognized the melody. This kind of music notation doesn?t give any hints as to how the rhythm is to be played but you already know the melody, right!

Is using tablature cheating? My father taught me some interesting things about learning to read guitar sheet music.

My dad was the only guitar tutor in the town where I lived and he taught mostly classical guitar pieces. His young students, I was one of them, learned those first guitar pieces very rapidly because he used a system similar to tablature showing the frets and strings to play, along with the sheet music. Tablature wasn?t common back then. I remember somebody remarking that his system prevented the children from learning to sight read sheet music.

His reply was that if somebody really wants to learn the notes they will anyway!

I agree with that and I have found that if a pupil is not motivated learning guitar sheet music they will not advance in this area whether they play with or without tablature.

Do you think your fingers has anything to do with guitar playing? I guess you’ll answer yes!

A more important question is if the fingers you choose to use can have a bearing upon your guitar playing. Left hand fingering means which finger you use when playing a specific note.

Usually when playing the first pieces on the guitar on the first frets one plays the notes on the first fret with the index finger, notes on the second fret with the middle finger, notes on the third fret with the ring finger and notes on the fourth fret with your little finger.

Why mess up everything with this fingering stuff? Isn’t it possible to play every melody with your left index finger and forget about fingerings?

Well, of course you can play melodies with your index finger but your progress will be very limited beyond just playing easy melodies.

Besides you?ll have to move your hand all the time as you change frets and, most importantly when reading sheet music, you?ll have to look at the guitar fretboard all the time instead of looking at the sheet music.

The important thing when learning to play the notes on the guitar is to make a conscious effort to learn the notes and not to work on too many notes at the same time.

Peter Edvinsson is a musician, composer and music teacher. Visit his site Capotasto Music and download your free sheet music and learn to play resources at http://www.capotastomusic.com.

But meanwhile, there are 3 chords — just 3 — that you absolutely, positively have to know. If you don’t know these three, there’s hardly a song in the whole world that you could play. But by knowing just 3 chords, you can play hundreds, if not thousands of songs!

Really?

Really.

Are you ready? Here they are:

I IV V

Huh? What’s all that about?

Here’s what:

In every key there are 3 chords — just 3 chords — which are known as primary chords — chords that occur way more than other chords. They are like family members of that particular key. They are groups of notes built on the 1st note of the scale, the 4th note of that scale, and the 5th note of that scale. (Those are 3-note chords called triads — in another article we will get into 4 and 5 note chords.)

For example, here is the C scale on the keyboard. It runs from C up to C and octave higher. The I chord is built on the first note of the C scale, and so on:

So if I build a chord on the I — every other scale note up from C, the chord is C, E, and G — known as the C major chord.

If I build a chord on the IV — every other scale note up from F, the chord is F, A, and C — known as the F major chord.

If I build a chord on the V — every other scale note up from G, the chord is G, B, and D — known as the G major chord.

Please notice, if you haven’t already, that those 3 chords contain ALL the notes in the C scale!

So what?

So any melody – tune – in the key of C (as long as it just uses the 8 notes of the scale) can be harmonized just by playing one of those 3 chords!

Think about that — that’s a HUGE insight that most people never get.

So, in any given key you can play in, there are PRIMARY CHORDS — chords that occur way more than other chords. They are like family members of that particular key.

At your house, let’s say you have 3 people in your family — your spouse, your child, and you. On the same block, but down the street a few houses, lives your cousin and her family.

At any given moment, who are the most likely people to be in your house?

The Terminator?

Hillary?

Dubba?

I don’t think so.

It’s possible, of course, but not too likely. If I had to guess, I would say it would be either you, your spouse, or your child. It might be your cousin down the street — there’s a much better chance of that than, say, David Letterman or Prince Charles — but my best odds would be to guess that the family members would be there.

It’s the same way with chords. In any given key, there are 3 family members that are residents of that key — the I chord, the IV chord, and the V chord. They are far and away the most likely chords to occur in any given key.

For example, if I am playing in the Key of C, and the first chord is the C chord and I have to guess what the next chord is, I would guess that it would be either the F chord or the G chord. Why? Because those are the other family members. So we have narrowed the odds a great deal just by knowing who the members of the family are.

Does that mean that there are always just 3 chords in a song? No, but there are literally hundreds of songs that are made of just 3 chords.

The Primary Piano Chords (the fam) Of All the Major Keys

Here are the primary chords (the family chords) of all the major keys (remember that the primary chords are the I chord, the IV chord, and the V chord based on the scale of that particular key):

Key of C: C, F, G

Key of G: G, C, D

Key of D: D, G, A

Key of A: A, D, E

Key of E: E, A, B

Key of B: B, E, F#

Key of F: F, Bb, C

Key of Bb: Bb, Eb, F

Key of Eb: Eb, Ab, Bb

Key of Ab: Ab, Db, Eb

Key of Db: Db, Gb, Ab

Key of Gb: Gb, Cb, Db

Do you have to know all these chords in all these keys?

No.

You can choose to play in just one key, or just a few keys.

But what you MUST know is the 3 chords in whatever key you want to play in! That means that the stark beginner can learn 3 chords in just a few minutes, and be able to play along with thousands of tunes, because most folk songs, hymns, country songs, and many rock songs just use the 3 basic chords. That’s why people who know zilch about music can pick up a guitar, learn 3 chords, and strum along while singing everything from On Top Of Old Smoky to Amazing Grace to My Country ‘Tis Of Thee to Auld Lang Syne to Silent Night to……………………..well, you get the idea. And not only a guitar, but a piano, keyboard, or whatever.

Duane Shinn is the author of over 500 music books and products such as DVD’s, CD’s, musical games for kids, chord charts, musical software, and piano lesson instructional courses for adults. He holds an advanced degree from Southern Oregon University and was the founder of Piano University in Southern Oregon.

He can be reached at http://www.chordpiano.com. He is the author of the popular free 101-week e-mail newsletter titled Amazing Secrets Of Exciting Piano Chords & Sizzling Chord Progressions with over 56,000 current subscribers. Those interested may obtain a free subscription by going to http://www.playpiano.com

Here are some tips on how to narrow down your list of potential band members.

1. Determine their level of commitment. You want a musician that is in the same commitment level as the rest of the band. Is the band a full-time thing or are you just jamming on occasions for fun on weekends? Musicians with a high level of commitment are always good but they can discouraged if the rest of the band is lazy and only wants to play at minimal times. Figure out how often the band should get together to play and then find musicians that can commit to that schedule.

2. Technical abilities versus diversity. While technical abilities are important, there should be a good balance between music diversification as well. Anyone can pick up a guitar and shred like Yngwie Malmsteen with proper amount of practice picking the same notes over and over, but not everyone can play with such feel as Jimmi Hendrix.

3. The right musician should enjoy playing the same music style as the rest of the band members.

4. Compatibility with personality. Playing in a band is about having fun and you should be able to get along with all your band members off-stage. Generally speaking, you might get along with people within your age group better, so that might be something to consider when choosing musicians.

5. Open-minded to other music genres. While this may not apply to every band, it might be good to consider if your band ever decides to change its musical direction.

6. Band playing experience. Typically, the more band playing experience the better. There is a difference between self-taught musicians that practice at home by themselves and musicians that learn through others by playing in bands. Musicians with no band experience might have trouble with following songs since they are used to playing at home to album CD’s. In addition, if your band ever plans on performing live gigs, inexperienced musicians might have stage freight.

7. Enthusiasm. Does the musician take the band seriously enough to prioritize it? Does the musician contribute to the band musically? Enthusiasm is shown if the they contribute a lot of ideas into the songs and take some extra to practice at home as well. If the musician is always running late to practices, does not contribute and only plays what they’re told to play, then chances are he/she is not very committed to the band.

Kenny Auyoung: Webmaster @ http://www.getmeaband.com – Looking for a band? Search through our directory of musicians to find band members in your local area.

It was while studying at the Guitar Institute in London that I first realised that many players do not develop this part of their playing. This realisation prompted me to want to find a way that guitar players could learn this simple thing with the minimum of effort. Some of them could play every guitar solo Jimi Hendrix recorded, yet couldn’t name one single note!

My feeling was that most guitar players just didn’t want to spend time on something that they felt wouldn’t benefit them that much. Unless their practice time resulted in them learning a flash guitar lick they just didn’t want to know. Always one for a challenge, I decided it was my duty to show these poor souls the light. How would I do that?

I decided to use my good friend, Paul, as a guinea pig. Although he played quite well, he, like countless others, hadn’t learnt his fretboard. I asked him why. His reply went something like this: Why would I want to spend time learning the notes on the fretboard when I could be working on a Jimi Hendrix solo? No, it’s not for me, it just seems like so much effort for nothing. I’d rather learn a new chord shape or a hot guitar lick. I honestly don’t see the point.

Paul’s response was pretty much the same as the other people I asked. Waste of time, one said. I’ll probably get round to it one day, chirped another. Little did any of these people know, familiarising themselves with their fretboard would not only improve their guitar playing it would DRAMATICALLY improve their musicianship!! I set to work on Paul.

I wrote out a diagram of the fretboard with 12 frets and 6 strings. I then wrote in all the notes and handed it to Paul. What do you want me to do with this? he asked. I want you to learn it, I replied. Take it home, study it, and then let me give you a test. He wasn’t overly keen on doing this, but I managed to persuade him. I gave him two weeks to learn it all. He placed the sheet into his guitar case and took it away with him.

It was actually three weeks later that I next saw Paul. How did you get on with the fretboard study,? I asked him. Ok, he replied. Right, let me test you. Paul took out his guitar and placed it on his knee. Ok, an easy one to start. Show me an A on the 6th string. Paul thought for approx 15 to 20 seconds and then successfully placed his finger on the 5th fret. I congratulated him, Well done Let’s try another. Show me where to find an E flat on the 3rd string. Paul’s face sank. He thought about it, and then he thought some more, and then, he played me……F sharp! I was disappointed. Wrong! Let’s try another one. How about D on the 2nd string? This is quite an easy one, but once again, after some thought, Paul failed to find D. Ok, a C natural on the 3rd sring. Once again Paul couldn’t do it. I asked him why. Well, I did try, but it is just too mind numbingly boring. It’ll take ages for me to learn the whole neck, Paul complained. Now I couldn’t let this go. It wasn’t a light hearted challenge any more. Paul was going to learn the fretboard whether he liked it or not.

I set to work on an instructional booklet that would make learning the fretboard easy and fun. I also knew that I had to make it motivational and inspiring. I worked hard typing up the study. In 5 days I had a rough copy. I printed it off and took it round to Paul’s house. Not again, muttered Paul when I handed him the booklet. Just humour me, and give it one more go, I pleaded. He reluctantly agreed. I didn’t want to push my luck too much, so I quickly left and wished him well.

Four days later there was a loud knock on my front door. Ok, ok, I yelled as I rushed to answer it. As I pulled open the door, I found an extremely excited Paul with his guitar case in hand. Test me again, he demanded. He pushed past me to the living room and opened up his case. Go on, ask me any note on any string. I sat down and called out G flat on the 3rd string. The words had no sooner left my lips when Paul was on the 11th fret playing me the requested note. And another, my friend requested confidently. Ok, C sharp same string. Paul played the C sharp. I then asked for a D on the 1st string, an F sharp on the 2nd, a C on the 4th. Paul played each one without any hesitation. What do you think about that? he asked smugly. Oh no, I thought, I?ve created a monster!!!!

Paul then went on to play notes all over the neck, calling them out as they sounded. I couldn’t believe it, I knew my fretboard study was good but I didn’t expect these results. Paul was delighted. He thanked me for the study, and also for encouraging him to master his fretboard. He said he now knew what I had meant when I told him how much this knowledge would improve his playing. That study is dynamite, he told me. Maybe he had a point.

Now, a few years down the line, I realise just how true Paul’s words were. The study IS dynamite. I have used it with many of my students and they have all reported results that are equally as impressive as Paul’s. After much encouragement from my students and friends, I have now decided to make it available worldwide. For the small price of ?5.00 (five pounds), you too can experience what Paul did all those years ago, and also what countless other people are experiencing today. If you are serious about being a guitar player you really need to know your fretboard. Visit our website at www.jack-sky.com for your copy of this great ebook. You will not be disappointed.

Improve today – Grab the Fretboard Master!

Peter Jones is the Managing Director of Jack Sky Ltd. Based in the great city of Liverpool, Jack Sky is committed to providing 1st class guitar tutorials to all of its customers. A warm welcome awaits you at http://www.jack-sky.com

Group Lessons: Learning guitar in a group setting can be lessintimidating for the beginning musician. You not only get thebenefit of having a teacher to help you along you can often judge your progress by where the other students are in the class. Theworst part about taking guitar lessons in a group setting is the teachers time is divided so you may not get as much attention as ou might need.

Private Lessons: This is the best way to learn to play the guitar if you can find the right teacher. The instructor can gauge your progress each week and custom design your lessons for you. You have your teachers? undivided attention and you can ask anything you feel is not clear.

CD Lessons: There are many instruction CDs available in nearly any style you can think of. The advantage of this style of learning is you can listen to the CD as many times as you want. Any part that is not clear can be replayed as many times as needed. The disadvantages include the songs may not be the ones you desire to learn and the instruction is more general without any way of knowing where you are in your musical journey.

DVD Lessons: Instruction on DVD includes all the good and bad points of the CD instruction. The number one advantage to learning guitar by watching DVD video is you can see what the instructor is doing. Visual learning goes a long way toward answering the questions burning in your mind. Music Books: Music books are a time-honored way to learn how to play the guitar. You can find more books on more different styles than most any other way to learn. You need to be proficient in reading music if you do not know the song you are learning. Most folks have a hard time getting the song right if they do not know the song they are learning.

Playing With Other People: The very best way to learn to play the guitar is to get together with other people and play. This is the fastest way to learn. You will learn more by getting out and playing with other people than you ever will sitting at home playing by yourself.

Internet: In these modern times the Internet is a wonderful resource in learning to play the guitar. There are many websites that will show you how to play the exact notes your guitar hero plays. Membership sights are plentiful where for a small monthly fee you can learn most any style you choose.

Slowing Down Recordings: You can purchase software that slows down your favorite recordings. This allows you to hear each phrase at a speed where you can pick out the different notes. This is a great way to learn to play.

Friends: Do not overlook your guitar playing buddies. Most guitar pickers are a friendly bunch who will be more than happy to help you along.

The method you decide to use to learn to play guitar is up to you. Try to practice four or five times a week for 30 minutes at a time and you will be playing guitar before you know it.

Find your best guitar lesson resources at guitarngear.com

• Check your thumb placement. Your thumb should be pressing against the back of the neck, on the fattest part, behind the area where the 2nd finger’s hanging out.
• Check your first finger placement. It should be parallel with the fret wire, so close it’s just barely touching the side. Roll your finger a bit toward the nut, so that the bony side of the finger is digging into the strings instead of the strings digging into what my student Casey calls the chub.
• Stop pressing so hard. That first finger’s only responsible for fretting some of the strings, so don’t try to press down on each string with equal force. For example, when playing a standard barred F chord, press hard with the tip of your finger on the 6th string, and dig your knuckle into the 1st and 2nd strings, but let the finger rest lightly over the other strings.
• Take heart. Often you can transpose a song to avoid barre chords. Also, some great guitarists never play barre chords–BB King, for example, played his way to greatness pretty much one note at a time. As he said in the U2 documentary Rattle and Hum, I don’t do chords.

Rob Hampton teaches private and group guitar lessons in Seattle, Washington. His website features guitar chords and tabs written by him for his students–they’re some of the most accurate free guitar music you can find on the web. He also has a lively guitar teaching blog.

In this learn to play guitar article I will give some examples of easy to play guitar chords and progressions. I will use guitar tab to help you find the notes on your guitar.

In this article i will only use the first four strings on the guitar. In the guitar tab staff notation I will also use only the first four lines. The first string is the thinnest string on the guitar or the E-string.

The first guitar tab progression will be in the key of D. The chords of the progression is Dmaj7 and Em7. Here is the guitar tab:

1. –2—0—
2. –2—0—
3. –2—0—
4. –0—0—

The guitar chord progression above can be used as a little intro in a song in the key of D. It can also end a song or be used as a break between verses in a song. You can repeat the progression to make it last longer.

The next example will use the first chord and a Gm6 as the second chord. This little passage can also be used as an intro in a song if you like it:

1. –2—0—
2. –2—3—
3. –2—3—
4. –0—0—

The following example will use just one chord, the D chord and it will be moved two frets up. When you move the chord up it will not be D anymore. It will change into a E7 or if you want E/D. This means that you play an E-chord with the note D as a bass note.

The chords in this guitar chord progression will be D and E7. Try it!

1. –2—4—
2. –3—5—
3. –2—4—
4. –0—0—

When you move the chord up the two frets you don’t need to lift you left hand fingers. Just release the pressure of your left hand fingers a bit and slide up to the new position.

This method of sliding to new positions can be used when you change between chords. Many times you can keep one or more of your fingers on your fingerboard and slide when you change to new chords. This will make it easier to find the chord and will speed up the chord change.

Our last little guitar chord progression will use the same progression with just a different way to play the E7 chord.

Remember that all these chord progressions can be repeated over and over as intros or something else in the key of D on your guitar.

1. –2—0—
2. –3—0—
3. –2—1—
4. –0—0—

Observe that you can slide with you first finger that you hoopefully have pressed down on the second fret of the third string when you play D. When you change to the second chord you can slide to the first fret.

The above progressions use the open D-string as a fundament so to speak and this bass note creates an illusion of peace in the chord progressions. In tonal music this bass note is called a pedal point.

If you like finger picking on your guitar I will give you a pattern that can be used with these chords. I will use the common classical guitar symbols for the right hand fingers. P denotes the thumb, i the first finger, m the middle finger and a the ring finger.

1. –a———–a—
2. ———-m——-
3. ——i———–
4. –p—————

I hope you will find this little learn to play guitar lesson helpful. There are a lot of chord progressions that sounds nice but are very easy to play. In other words, I will be back!

Peter Edvinsson is a musician, composer and music teacher. Visit his site Capotasto Music and download your free sheet music and learn to play guitar resources at http://www.capotastomusic.com