There are musicians who are more than comfortable remaining anonymous. You know, happy to hide behind their guitars or keyboards and be sidemen to the stars of today or tomorrow. Then there are those that have grandiose aspirations of stardom, adoration and limelight. And then there are those who have a driving desire and need to say something original artistically, to express themselves and to communicate that expression to an audience, be it a small niche market or wider demographic.

Those falling into the first category can make a living, albeit fairly modest as a general rule. Those falling into the second category often live in a little bit of a dream world and, depending on their tenacity and ‘smart’ skills, usually end up disappointed because the focus is set on the destination rather than the journey. The third category usually reap the rewards of the second category gaining all the success and limelight, but as a result of focusing on their art rather than the shallow and flighty end of the musician’s world. These are usually the most fascinating people too, because they generally have a little mystery about them and because they actually possess what most entertainers really want; sincere and dedicated talent!

But there are also those that are in the early stages of artistic development who are still learning their craft, and open to influences. Possibly they will become great artists in the future, possibly not. It will be a question of choices and consequences, and doors opened and opportunities taken advantage of – or not. Life certainly will take you places.

But for those that do have aspirations of artistry and expression, then I firmly believe you must have qualities that others do not have. As an artist I believe one must stand out from the heard in order to be heard. It is so easy to make a record these days. One no longer needs to have the luxury of a recording contract in order to stand on a pedestal and say I am an artist – buy my record! With home studios costing one 16th of the price they did ten years ago and with software programs that do it all, you can churn out albums by the dozen if you put your mind to it. And many do.

However, just because you can, why would you? – is my question. Just for fun? OK, valid I suppose. But Isn’t it better to spend that time and energy searching relentlessly for something unique and different? God knows record companies are releasing enough crap by the hour, even signed artists are now under the impression they have got something to offer. Maybe they have, but for the most part I don’t think so (as public reaction and their soundscans will attest!)

Perhaps I am being extremely unfair, but I think too many artists do not realize that they have a responsibility to say something profoundly unique, certainly if they expect any kind of career longevity. We live in a world where musicians spend their lives emulating their heroes; singers spend their lives emulating Aretha Franklin, Janis Joplin, Stevie Wonder, Frank Sinatra and so on. Rock guitarists spend their lives emulating Jimi Hendrix, Jimmy Paige, Jeff Beck and Eddie Van Halen. Jazz guitarists are proud emulators of Pat Metheny, John Scofield and Wes Montgomery. Saxophone players worship Charlie Parker, John Coltrane and Michael Brecker. And so on…

Before I go on I have to say that emulating heroes is absolutely imperative in your formative years as musicians. You simply MUST listen to the greats, past and present. One has to have a strong grounding and musical knowledge and one simply cannot get there without listening. However, way too many ‘artists’ cannot get passed this stage. They need to have peer approval, have to know that other respected musicians around them recognize them and applaud their abilities. Often all this takes place subconsciously.

This ‘peer approval’ is a stage of development that is also important. Every musician goes through it at some point. It is absolutely natural, but I firmly believe that to become a great artist, you have to move beyond that stage and look inward. I always liken it those wedding band singers, who despite having an honorable and justifiable (and in some cases envious) career, they are all too often the ‘performing monkeys’. They are often fine vocalists but at the end of the day they are seeking approval and applause and not communicating or expressing anything artistic. They certainly know how to entertain but do they know how to intrigue? It’s a huge gap. Nothing remotely subtle about it as far as I am concerned.

The real communicating artists seek unique expression. They are not interested anymore in sounding like their heroes. They have moved past that, now searching constantly, developing and refining their own unique voice. Look at any of the true giants of yesterday and today. Yes you can hear their references, but they also have their own strong identity. At some point during their development something bigger than them took over. The chances are they knew it at the time and took advantage of it and made an extra effort to really hone that uniqueness.

Finding that unique inner voice might not be as easy for some. I think it starts by recognizing your technical weaknesses. It is often those weaknesses that ultimately end up becoming your artistic strengths. Let’s face it, if you were able to play the guitar technically perfect, at all speeds, meticulously so every note that came out was totally clean and audible, would this be ultimately interesting to an audience? Yes it might be very clever and impressive, but for how long could you listen to an album where every phrase felt like you were having your teeth drilled!!?

Wes Montgomery played with his thumb because he kept dropping his pick, ultimately enabling him to become the greatest and most influential jazz guitarist of all time. BB King has about three licks in his entire blues repertoire. Does anyone NOT know BB King when they hear him? Thelonius Monk refused to conform to traditional piano techniques and musical ideas. He simply HAD to play music the way he heard it in his head. He made such a bold musical statement during his time that he is emulated the world over and revered by the greatest musicians living today.

Technical shortcomings can be the very essence of your unique artistry. Now, should those shortcomings get in the way of what you need to say musically then those weaknesses might need to be turned around so they don’t restrict what you hear in your head.

Remember, the true artist simply communicates from within. All other extraneous thoughts, influences and distractions need to fall by the wayside. The minute a lick or a phrase that your hero played or sung (and made famous) ends up on your record – watch out! You might be in trouble. Absolutely steal from your heroes, but just remember that real artistry is about what YOU have to say, not what your heroes have already said before, and have possibly said better.

Push yourself to the max and search for that truly unique quality within. After all, that next great talent we are all so desperately waiting for might just be you!

Chris Standring is a contemporary jazz recording artist who performs throughout the USA and Europe regularly. He has enjoyed much radio airplay with several albums, opening up a busy touring schedule. His music appears on many compilation CDs also. For more info on Chris’ popular home study jazz guitar course go to http://www.PlayJazzGuitar.com

Visit him on the web at http://www.chrisstandring.com

Now I know why he felt so refreshed.

Birdsong is a high frequency sound ? around 5,000 hertz. Any sound between 5,000 and 8,000 hertz has been found to recharge our brain?s batteries.

You know what else is amazing?

5,000 hertz is also the frequency that energizes plants. In fact plants showed a 700 percent increase in efficiency of absorbing nutrients when exposed to high frequency classical music. This frequency actually helps the little pores on the plant’s leaves called stomata to open up.

And who says nature doesn’t have a plan. That?s why you’ll find that in areas that don’t have a lot of birds singing, there’s not a lot of plant growth either.

Lots of birds equals lots of plants. Few birdsongs means not a whole lot of greenery. Now I know why we moved from Los Angeles to Asheville, North Carolina ? we wanted birds and trees in our life.

Have you ever entered a room that has a weird or uncomfortable feeling about it? You might just be getting uncomfortable because of low frequency sound waves.

The lowest of those are called infrasound. They?re produced by machines such as vehicles, household equipment and heating and cooling systems. It?s been known for some time that these low frequency waves can cause symptoms such as nausea, headaches, fatigue, insomnia, vibration of internal organs and a feeling of oppression.

On the other hand, certain high frequency sounds literally energize your mind. Scientists have found that sounds from 5,000 to 8,000 hertz recharge your brain?s batteries.

If your CD collection includes music by Mozart, Baroque Music or even Tibetan Chants, keep listening. In numerous studies, these sounds have been found to charge the cortex of the brain and stimulate health and wellness.

At 120-125 hertz you begin to hear the kick drums and bass guitar common to rock music. These lower frequencies produce the opposite effect – they drain us.

Why is this?

Because they have wave-lengths longer than we are tall, which is why lower frequencies are FELT as well as heard. You can feel this low frequency full-body sensation at dance clubs and rock concerts. Or from listening to most FM radio stations.

Since we are mostly exposed to low frequency sounds in the media, I strongly suggest you balance your brain and body by listening to high frequency classical music at least once a day. It?s easy and effortless ? and great for you.

Here?s to your sound health.

Copyright 2006 Tania French

Composer Tania Gabrielle French has enjoyed performances and radio broadcasts of her music worldwide by Grammy Award winning artists. Her popular newsletter tells all about the secret effect of music on your mind and body. Subscribe now at http://www.artabundance.com ? 2006 Tania Gabrielle French. All Rights Reserved.

Youre off to the supermarket and decide to stop by some shelves offering French and German wine. You make up your mind to buy a bottle of the French wine.

While checking out, youre asked why you picked the wine. You respond The label looked great, or I liked the price. Then youre asked if you noticed the French accordion music that was playing when you took that bottle off the shelf. You say that you did. Did it affect your choice of wine today? No, of course not, you answer.

Thats funny because on the days that French music is played nearly 80% of shoppers chose the French wine. On the days that German music the Opposite happens.

In other words, this study found that if you bought some wine from their shelves you were 3 or 4 times more likely to choose a wine that matched the music than the wine that didn’t match the music.

Guess what these wine-buyers responded when asked at the checkout if the music influenced their choice. Only 1 out of 44 customers said that the music was the reason they bought the wine. Thats 2%!

The influence of the music was Huge but the customers Didnt Notice or Believe that it was affecting them. It only took a matter of minutes or seconds for music to get into these peoples brains in a powerful way.

Similar experiments have shown that classical music can make people buy more expensive wine.

Heres another study to chew on. Most of us go out to eat at least once a week. Do you know which music makes you spend more when youre at a restaurant?

In this study, a British restaurant played pop music, classical music and no music over the course of 18 evenings. Average spending prices per person were calculated for the following categories:

Appetizers, Main Courses, Desserts, Coffee, Drinks from the Bar, Wine, Overall Beverage Bill, Overall Food Bill, and Total Amount Spent

They also measured the total time people spent in the restaurant. Heres what they found.

There was a Significant difference between evenings when classical music was played and no music or pop music were played. Classical music resulted in higher spending. Across the board in all categories. Other restaurants here and abroad have had similar results.

What does this mean? Its pretty simple. Classical music relaxes and makes you feel good. And feeling good makes you want the best.

Thats why so many successful people listen to high frequency classical music. They know it helps them work better, think better, and get higher levels of energy. They know it wont deplete them, get them distracted and raise their heart rates, like hard-hitting low frequency music does.

The amazing effect that music has on your mind and body is being proven in study after study. Its information that should not be ignored. Especially these days, when were exposed to music anytime we enter a building.

Copyright 2006 Tania French

Composer Tania Gabrielle French has enjoyed performances and radio broadcasts of her music worldwide by Grammy Award winning artists. Her popular newsletter tells all about the secret effect of music on your mind and body. Subscribe now at http://www.artabundance.com 2006 Tania Gabrielle French. All Rights Reserved.

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